
Abel Karen Kazinyan (b. 1963, Yerevan) is an Armenian painter whose work threads medieval European iconography with the ornamental traditions of the ancient East. A graduate of the Yerevan Art-Theatrical Institute (1986), he has worked from Moscow since the early 1990s, exhibiting in Aleppo, New York, Geneva, Vienna and Luzern. Member of IFA / UNESCO (1994), the International Art Fund (1998) and the Moscow Union of Artists (2003).

The work proceeds in long campaigns: a single image returned to over months, sometimes years. Layers of pigment, ash and gilt are laid down and partially abraded until the painting acquires the patina of an object remembered rather than depicted.
The studios in Yerevan and Moscow hold work in canvas, paper and board at every stage of completion. Visits by appointment.
Into a family of musicians and artisans. Spends childhood summers in the village.
Begins formal training under the discipline of academic drawing.
Graduates with diploma in painting. First solo exhibition mounted in the institute hall.
First exhibition outside the Soviet space. The Eastern ornamental tradition enters the work.
Joins the International Federation of Artists. Establishes the studio that becomes the home of the principal body of work.
First American showing. Acquired by private collectors in New York and Boston.
Admitted as a member of the IAF.
Admitted to the Moscow Union of Artists. Begins the long Vospominanie cycle.
Group exhibition at the Dorotheum auction house.
Contemporary Art Fair Luzern, Kornschütte. Recent works on paper and board.
“Is this painting? Tapestry? Temple fresco? An old, half-erased bas-relief? Abel’s work is at once original and traditional — the voice of past centuries is heard, yet this is not stylisation: it is life inside all the layers of history at once.”
“Abel dedicates his art to that in human life which is intransitory and unchangeable. The marks of antiquity show through his present-day brushwork, giving it dignity and weight.”
For acquisitions, commissions, and exhibition inquiries. The artist replies personally within five working days.
Occasional notes on new works and exhibitions. No promotion, no noise.